“Dancing with AXIS was one of the first times I felt empowered to be fully honest in movement – a complete immersion into the language and embodiment of inclusive dance.”
–2021 Summer Intensive Participant
AXIS Dance Company invites disabled, non-disabled, and neurodiverse dancers and educators from around the world to join our 5-day intensive to engage, share, and learn from one another and the AXIS artists.
The 2025 Summer Intensive will take place from June 23 – Sat June 28, 2025 at the UC Berkeley Dept. of Theater, Dance & Performance Studies in Berkeley, California.
Applications for the 2025 Summer Intensive will be opening soon. In the meantime, Click here to view external funding options for tuition support.
Tuition: $700 for the entire 5-day intensive ($50 discount), or $150/day pro-rated.
Due to space capacity, priority will be given to applicants attending the full 5-day Intensive. Partial scholarships are available to those in need, only for the full 5-day Intensive.
At the AXIS Summer Intensive participants will have the opportunity to experience three modules derived from the company’s working ethos and repertoire, designed to enhance and further develop their own practices in improvisation, choreography & performance, and dance education. Our Teacher Training module provides dance educators and experienced artists the chance to develop and enhance skills—exploring tools and working methods in inclusive dance and translation for disabled dancers. In addition to the three modules, we offer programming focused on fully accessible movement classes that close with “Radical Chats” – facilitated discussions on disability dance culture, community-building and advocacy.
Curriculum Information
Exploration 1: Improvisation
AXIS Dancers & Staff lead students through improvisation scores and structured exercises to develop partnering and listening skills in a trusting and safe environment. Students will respond to the environments around them as well as each other, learning how we can effect time and space through the choices we make as performers and the influences around us.
Exploration 2: Choreography and Performance
Choreography and Performance students will begin with a technique class learning material and dance sequences to develop technique, memory, coordination and movement qualities and dynamics. Students will use these skills to develop their own choreographic interests, investigate their own practice, and gain insight into the tasks and skills used to devise the work in the company’s current repertoire.
Teacher Training Module 1 for Dancers, Professionals & Educators
Module 1 teacher-training course is designed for teachers of dance and experienced artists interested in developing their teaching skills in leading integrated dance in an inclusive and supportive environment. Drawing on AXIS Dance Company’s creative practice, expertise and methodology in teaching integrated dance, students will explore the following areas:
- Open door policy – Removing any physical and emotional barriers
that prevent people with disabilities from attending class - Universal language and communication
- Exploring a variety of dance techniques, disciplines and approaches to teaching dance
- Stripping away the myths of integrated dance for a realistic approach to teaching inclusivity
- To challenge and be challenged – a mutual dialogue of respect between teacher and student
- Body specificity – Working with different bodies to ensure all are challenged and learning
- Develop useful tools and skills to put into practice
- Ensuring best practice in integrated dance
- Build teachers’ confidence and set up a teachers’ network for future support
- Q&A time for discussion and feedback
External Funding Resources
Are you looking for external financial support to attend our Summer Intensive? You may be eligible for some of the grants & funding resources that are outlined below.
Please note that AXIS is not associated with any of these funding organizations, and will not be able to provide administrative support for your application.
External Grants – United States
Princess Grace Foundation: Grants for Professional Development Opportunities
Quarterly grants of up to $1,000 that provide funding to hone your craft and learn new skills related to managing your career. Deadlines: 3/15/24, 6/15/24, 9/16/24
External Grants – United Kingdom
Arts Council England: Developing Your Creative Practice
Quarterly grants from £2,000-£12,000 to support individuals who are cultural and creative practitioners and want to take time to focus on their creative development. Deadlines: 4/11/24, 8/22, 24, 12/12/24
External Grants – Canada
Canada Council for the Arts: Explore & Create
Quarterly grants for up to $30,000 to support artists committed to the creation & dissemination of innovative, vibrant and diverse art. Rolling application deadlines.
External Grants – Australia
Government of South Australia: Professional Development
Quarterly grants for up to $15,000 that support professional development of individual, independent artists and arts workers. Deadlines: 7/1/24, 10/7/24, 2/3/25.
External Grants – Malta
Arts Council Malta: International Participation Scheme
Annual grant to support the mobility of artists and cultural operators to create, to showcase and to expose their works to international audiences and to receive international feedback. Deadline: 2/24/24
External Grants – Opportunities for the 2025 Funding Cycle
While deadlines for these grants have passed for 2024, consider applying for these opportunities to attend our 2025 Summer Intensive:
Australia: Ian Potter Cultural Trust for Emerging / Mid-Career Artists
Canada (Ontario): Deaf and Disability Art Projects / Professional Development
Canada (Ontario): Charlmers Professional Development Projects
UK: Lisa Ullmann Traveling Scholarship Fund
US (Southeast): South Arts Individual Artists Career Opportunity Grants
Funding Resource Boards
Check out these information hubs for ongoing grant opportunities & information:
United States:
Creative Capital
California Arts Council
Australia:
Creative Australia
European Union:
European Dance Network
European Commission / Culture & Creativity
United Kingdom:
Arts Council England
External Funding for Educators
For educators interested in applying to our Summer Intensive and Teacher Training module, following funding opportunities are available.
Educator Grants – United States
NEA Foundation: Learning & Leadership
Up to $5,000 for professional development.
Summer 2024 application opens 3/1/24
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The McCarthey Dressman Foundation: Teacher Development
Annual grant for up to $10,000 per year that supports small teams of teachers in the formation and implementation of groundbreaking k-12 classroom instruction. Deadline: 4/15/24
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National Endowment for the Humanities: Professional Development Programs
Annual grant of $650 – $3,450 for professional development programs that convene K-12 educators or higher education faculty. Deadline: 3/5/24
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Association of American Educators Foundation Teacher Scholarship
Teacher scholarships of up to $500 that can be used for a wide variety of professional development opportunities and materials. Deadlines 3/1/24 & 10/1/24
Educator Grants – California
SFU Education Graduate Student Association
Grants from $200 – $400 to help support learning activities that enrich a student’s focus of study.
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Stanford Advancement Grant Professional Development Programs
One-time grants for up to $2,500 for Stanford faculty, lecturers, students, instructional teams, and departments. Next Deadline: 3/14/24
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Association of American Educators Foundation Teacher Scholarship
Teacher scholarships of up to $500 that can be used for a wide variety of professional development opportunities and materials. Deadlines 3/1/24 & 10/1/24
Educator Funding Resource Boards – United States
Check out these US educator information hubs for ongoing grant opportunities & information:
National Arts Education Foundation
Fund for Teachers
Office of Elementary & Secondary Education Assistance for Arts Education
What Students Are Saying
“The amount of awareness this brings to the small, subconscious prejudices I live in, around, and with outside of the dance studio is astounding. Now I’m looking for an apartment that is wheelchair accessible so that I can include all of my new friends in my life. I feel I was a bit asleep, and now, I am awake… or waking up. Always.”
“Thank you for making one of my dreams come true when I thought it wouldn’t be possible after becoming paralyzed, I truly appreciate it. I’m glad I was dedicated and coachable to your program, I’ve learned a lot and gained confidence and joy.”
“I faced my fears and I overcame them. I stayed, even when I felt uncomfortable because I knew the outcome would be good for me. And it was.”
“Elaborating the theoretical material/options/scores together and implementing them right away afterwards, was very helpful. It’s been a very good mix between theory and practice.”
“Witnessing other dancers/teachers model patience, care, risk and fun within the context of inclusive teaching and dancing was wonderful.”
“Not only is dance for ‘every body’, regarding disabled/nondisabled, but my body in the space is welcome to exist as is. I knew, and believed in my heart, that the ‘molds’ were mirages, but now I know there are places that embrace that.”
“I always say that I dance but not that I’m a dancer, but now I know that I am.”
Blog Post: 2022 Summer Intensive with Kailey McLaughlin
My name is Kailey McLaughlin and I am a dance/movement teacher based in Brooklyn, NY. I’ve bounced between the Southeast and New England for most of my life, but consider Chapel Hill, NC my hometown. I came to New York City via Skidmore College, a small liberal arts school in Saratoga Springs, NY. That is where I was first introduced to integrated dance through a modern dance course for Skidmore students and adults with developmental disabilities from a local day program. This class changed the way I thought about movement, accessibility, and the dancing body and it led me to the work I do now. Currently, I teach folks of all ages and abilities, from creative movement for kids ages 18 months-6 years to modern dance and somatic practices for teens/young adults with autism to movement classes for people living with Parkinson’s disease. Dance is for any body and I try to create more accessible dance education experiences in my community.
I came into this intensive hoping to learn best teaching practices for the betterment of my students and to dance for myself along the way. I accomplished those things and so much more. These five days with AXIS were truly transformational. The company’s warmth permeated through Zoom and created a strong sense of community among all the participants from around the world. It was a complete immersion into the language and embodiment of inclusive dance that not only gave me concepts to bring into my classes, but reminded me that, in addition to being an educator, I am still a dancer and an artist as well. Dancing with AXIS was one of the first times I felt empowered to be fully honest in my dancing. I was able to meet my body where it was at each day, which is a testament to the company members modeling and valuing all movement choices. In addition to personal growth through movement, it was wonderful to learn from other participants through observation and conversation. Being in a room, albeit virtual, with movers with the same values was so special. It would not have happened without AXIS bringing us together and facilitating engaging discussions on disability and inclusion in the world of dance and beyond. This intensive came at a perfect time in my life and I am so grateful for these days of exploration, creation, and collaboration with AXIS. I will bring all that I learned and experienced with me to my dancing and teaching from now on.