“There is no more defiant a land that I can think of than AXIS.
They showed me what dance could be.”– Bill T Jones, Choreographer/MacArthur Fellow
Now Booking: 2025 – 2026
For over 35 years, AXIS has toured innovative productions with high-profile choreographers that redefine dance and disability across the country and world. Past presenters include the Joyce Theater, Jacob’s Pillow, Kennedy Center and the Dubai World Expo 2020.
For booking inquiries, please click the link below.
Please note: This form is for theater & venue bookings only.
For school engagement requests, click here.
Alongside our artistic offerings, we offer comprehensive engagement programming for disabled and non-disabled community members of all ages and experience levels.
Now Touring
Piel De Luna
From AXIS Artistic Director Nadia Adame, Piel de Luna draws inspiration from the mystical energy of the moon. This quartet explores how the moon’s gravitational pull not only affects the tides but also weaves invisible threads that connect the human spirit. The piece unfolds in a series of interconnected duets, trios, and quartets that embody the mysterious gravitational forces that pull individuals together.
Photo by Steve Disenhof
Harmony of Souls
Harmony of Souls is a duet from Bay Area choreographer dazaun soleyn that investigates trust and our innate sense of connection. Through movement, music, and visual storytelling, this piece blurs the boundaries between our individual and interconnected experience. It moves through spaces of beauty, tension and eventual release, capturing the essence of the bonds that make us human.
Photo by Steve Disenhof
Blueprints of Being
From renowned Spanish choreographer Jorge Crecis, Blueprints of Being is an homage to the experience of being a dancer: The joys, the trials, the injuries, the resilience, and everything in between that makes this profession and way of life a sacred and transformative of act. Through dance, acrobatics, ASL and spoken word, performers share stories that blend the realms of biography and fiction. In the process, audiences are invited to experience aspects of their own identities and histories echoed on the stage.
Photo by Steve Disnehof
“Like much that is surprising in art … AXIS’s work instructs the viewer in how to appreciate it, and the lesson is delivered with cogent force: Sympathy is irrelevant. Forget what isn’t here, and pay attention to what is.”
Bruce Weber, New York Times
Piel de Luna is supported by: